Echoing a certain similarly-named series of hits compilations, PMJ’s version pulls
together ten of the band’s biggest throwback hits, including the song that put the project
on the map: a vaudevillian distressing of Macklemore & Ryan Lewis’ “Thrift Shop” that
garnered more than a million views within a week of being posted. But there’s also sad
clown Puddles Pity Party’s mournful version of Lorde’s “Royals,” Miche Braden’s New
Orleans blues version of Guns N’ Roses’ “Sweet Child O’ Mine,” Kate Davis’ multi-
tasking bass and vocals performance on “All About That Bass,” and a song that could
serve as the project’s mantra, “We Can’t Stop.” Miley Cyrus’ celebration of an
inhibition-shedding spree is rendered in a ‘50s doo-wop style by pin-up fashioned singer
Robyn Adele Anderson.
Out of stock? Get notified when this item is restocked.
Echoing a certain similarly-named series of hits compilations, PMJ’s version pulls
together ten of the band’s biggest throwback hits, including the song that put the project
on the map: a vaudevillian distressing of Macklemore & Ryan Lewis’ “Thrift Shop” that
garnered more than a million views within a week of being posted. But there’s also sad
clown Puddles Pity Party’s mournful version of Lorde’s “Royals,” Miche Braden’s New
Orleans blues version of Guns N’ Roses’ “Sweet Child O’ Mine,” Kate Davis’ multi-
tasking bass and vocals performance on “All About That Bass,” and a song that could
serve as the project’s mantra, “We Can’t Stop.” Miley Cyrus’ celebration of an
inhibition-shedding spree is rendered in a ‘50s doo-wop style by pin-up fashioned singer
Robyn Adele Anderson.
Out of stock? Get notified when this item is restocked.